Cristina Gozzini

Biografia

Cristina Gozzini was born in Florence in 1960. After a period of apprenticeship with the Catalan painter and sculptor Santiago Pianella, in 1995 she moved to the state of El Salvador, in Central America, where she carried out numerous site-specific interventions within museums and institutions. cultural events of the territory. In 2006 she was awarded at the V Bienal de Artes Visuales of the Central American Isthmus. Since 2008 he lives and works between Italy (Florence) and Central America. Her personal exhibitions include: Archipelagos, Grafio Cultural Association, Prato, 2005; Transparent tunnel, Centro Cultural de España, Guatemala City 2006; Diagrama, Centro Cultural de España, San Salvador, 2007; Cristina Gozzini to Civica Pinacoteca Amedeo Modigliani, Civica Pinacoteca Amedeo Modigliani, Follonica (GR), 2008; Swing-Swing-Columpio, Museo de Arte Contemporáneo Marte de El Salvador, San Salvador, 2010/2011; Integrated Camps, Asociacion Cultural Armazem7, Lisbon, 2014; Elasticity exercises, with Jang Wanyi, Fundació Felicia Fuster, Barcelona, ​​2018.In 2018 the collaboration with the Die Mauer Gallery in Prato begins, with the INFRA exhibition.

Exhibitions

2019 Open Studio (A Step) Out Of Me Prato, Italy 2018 INFRA Galleria Die Mauer (Prato, Italy) Esercizi di Elasticità B-personal with Jiang Wanyi Fundacion Felicia Fùster (Barcelona, Spain) 2015 Disegni d’Azzardo AMACI, Open Studio with Irene Lupi 2014 Campi Integrati Armazem 7, Centro Cultural, Lisboa, (Portugal) 2010/11 Altalena-Swing-Columpio Museo de Arte Contemporáneo Marte de El Salvador (San Salvador, El Salvador) Galería Arte La Fábrica (Guatemala) Selected Group Exhibitions 2019 Errore di Calcolo Un dialogo tra Europa e America Latina Rehearsal Project Space, (Milano, Italy) 2019 CATENA UMANA Video Project Selection during, Intichuma Ceremony to Francis Alys Fondazione MAXXI, Roma, Italy 2016 Vivencias: Legado Centro Cultural de Espana (San Salvador - El Salvador) 2016 Start Point Accademia di Belle Arti di Firenze 2015 The Shelf and Subjectivity in the Artist’s Book OFF the SHELF (London)